So in most cases, you’ll hear the note you pick repeating more than once, which means you’ll hear the same note for the next three or four beats, just like we observed in the above graphic. It could be as low as one repeat or continuous, though most moderate with three or four. That indicates the number of times the pedal will echo the sound that it gets from your signal. You probably have a dial on your delay pedal called repeats or feedback. If you do happen to use a DL4, the tap tempo has “1/2” written below it, which basically means that it will double whatever speed you tap, making it easier to tap along with the beat of the song and then have the echo doubled in time. Using a tap tempo or even dialing in delay time by hand is something that should be fairly instinctual to you. You’ll also hear more notes if the delay is set to a larger number of echoes (see “What about repeats?”).ĭon’t over-think it though. You can see that the dotted eighth note occurs 3/4 of the way through the first beat and then subsequently after every beat, assuming you keep picking. What you’ll want to do is dial in echoes that occur twice as often as the note value of the music you’re playing.įor example, if the regular four note count sounds like this: If you don’t have a tap tempo button, you’ll have to dial in the correct tempo by hand, using your pedal’s time knob. Applying your Delay Pedal (Technique)įor my example I’m going to be using a Line 6 DL4 Delay Modeler with tap tempo functionality. Now that we’ve understood the basics of time signatures, let’s take our 4/4 pattern and start to work through the practical steps of applying the delay effect and putting it all together. In a sense, we’re going to double up on the 4/4 time before we add our dotted eighth notes. We pick an eighth note rhythm with our right hand and then use our delay pedal to echo a faster time than what’s actually being played. The reason is that most often you’ll be dealing with an actual 4/4 time. You might be wondering, “Why are we working with quarter notes if we’re trying to mimic an eighth note rhythm?” The example given below is one of the most commonly used time signatures, 4/4, which is also known as “common time.” On sheet music they’re represented by two numbers, one on top of the other, at the beginning of a bar (or measure) of music. Time signatures are numeric representations of the beat in a given piece of music. Understanding Dotted Eighth Note Time Signature and Beat (Theory) I found that to be easier once I had established an understanding of rhythm and time signatures. Whatever pedal you own, you’ve got to match the time of your delay with the beat or tempo you want to keep up with. Pedals like the TC Electronic ND-1 Nova Delay and the Boss DD-20 Giga Delay have this readout functionality built in, though they tend to cost quite a bit more. Ideally, you’d have a tap tempo or a digital readout that tells you the exact delay time in MS. Some have tap tempo functionality, like the Line 6 DL4, but all will have at least a time knob that needs to be adjusted manually. So we can start by addressing that discrepancy in delay pedals so you can assess your own gear. However, not all delay pedals have an output that tells you the exact time it’s set to. This means your pedal’s timing must be matched with the song or beat that you’re playing along with.ĭelay pedals measure time in milliseconds (MS). Let’s start with this: A delay pedal that is mimicking a dotted eighth note rhythm is a tempo-based delay. We might recognize that sound with our ear, yet we don’t fully comprehend how it’s being created. It sounds like what Edge is always doing on U2‘s records, or the delay effect “that sounds like you’re playing really fast.” Some call it “faux alternate picking.” This is true, even for some who know the dotted eighth sound when they hear it. We’ve got to address each of these areas before reaching the practical how of what we’re trying to do. If you understand all three, you’ll be able to know and articulate what’s going on under the hood. You’re not happy being a surface level guitar player.Īnd that’s going to help you here quite a bit.īecause creating a dotted eighth note rhythm with your delay pedal involves three separate pieces working together.
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